One More Ticket For The Fabulous Riverboat

Science fiction Grandmaster Philip Jose Farmer died today at the age of ninety one.

Farmer is one of my forgotten influences. When people ask, I always site Bradbury, Burroughs, Niven… but I can’t discount how many times I re-read “Dark is the Sun,” (with its remarkable ageless plant-centaur) or the “Riverworld” series. It wasn’t even that long ago I joyfully romped through an ACE Double of “Lord of the Trees” and “The Mad Goblin,” Farmer’s double-feature Tarzan / Doc Savage pastiche.

Philip Jose Farmer’s Wold Newton Universe, wherein he put Lord Greystoke, Sherlock Holmes, Professor Moriarity, Nero Wolfe, Doc Savage. Fu Manchu, Professor Challenger, James Bond and others in the same wonderful family tree, and which spawned “fictional biographies” of Tarzan and Doc Savage, fascinated me as a child and instilled in me a desire for connecting threads in my own fiction. Reading Warren Ellis’ “Planetary,” it seems to me I was not the only one.

Not only did Farmer love putting fictional characters into the real world… he also took real people and put them into a fictional world. His “Riverworld” series, where every human who has ever lived and died wakes on the banks of a twisting, world-girding river, is so much damn fun I bought the whole thing when I was a kid and then bought the quality paperback re-issues as an adult, and still own both. I’ve read the whole thing at least three times.

I mean, c’mon… Mark Twain, Sir Francis Bacon, the woman who inspired Lewis Carroll to create Alice, and a freakin’ Neanderthal team up to solve an alien conspiracy? Damn right!

Farmer’s work blended the pulps, hard science, “new wave” psychedelica, open eroticism and gonzo world-building in a way that inspires and awes me. Just thinking about his legacy makes me feel more awake, more creative, more fearless. I owe him, and I thank him.

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Science fiction Grandmaster Philip Jose Farmer died today at the age of ninety one.Farmer is one of my forgotten influences. When people ask, I always site Bradbury, Burroughs, Niven... but I can't discount how many times I re-read "Dark is the Sun," (with its remarkable ageless plant-centaur) or the "Riverworld" series. It wasn't even that long ago I joyfully romped through an ACE Double of "Lord of the Trees" and "The Mad Goblin," Farmer's double-feature Tarzan / Doc Savage pastiche.Philip Jose Farmer's Wold Newton Universe, wherein he put Lord Greystoke, Sherlock Holmes, Professor Moriarity, Nero Wolfe, Doc Savage. Fu Manchu, Professor Challenger, James Bond and others in the same wonderful family tree, and which spawned "fictional biographies" of Tarzan and Doc Savage, fascinated me as a child and instilled in me a desire for connecting threads in my own fiction. Reading Warren Ellis' "Planetary," it seems to me I was not the only one.Not only did Farmer love putting fictional characters into the real world... he also took real people and put them into a fictional world. His "Riverworld" series, where every human who has ever lived and died wakes on the banks of a twisting, world-girding river, is so much damn fun I bought the whole thing when I was a kid and then bought the quality paperback re-issues as an adult, and still own both. I've read the whole thing at least three times.I mean, c'mon... Mark Twain, Sir Francis Bacon, the woman who inspired Lewis Carroll to create Alice, and a freakin' Neanderthal team up to solve an alien conspiracy? Damn right!Farmer's work blended the pulps, hard science, "new wave" psychedelica, open eroticism and gonzo world-building in a way that inspires and awes me. Just thinking about his legacy makes me feel more awake, more creative, more fearless. I owe him, and I thank him.