Yes, that’s a deliberately inflammatory headline up there, designed to rile the folks over at Ninc and get their (and your) attention. It’s also not inaccurate.
Here’s the deal: Novelists Inc. is a networking / advocacy organization dedicated to the needs of “multi-published novelists.” They claim to be non-profit but I can’t confirm this because their site doesn’t include any information about their non-profit status (or a terms of use or privacy policy.)
Recently, an article in their Writer’s Resources section has been getting a little buzz. There’s no date on the article, but the buzz started around December 25, 2008. The article, “Used Book Sales,” is a position paper and proposition to amend U.S. copyright law to require used book retailers to pay a “secondary sale” fee to publishers any time the used book retailer sells a used book within two years of initial publication.
Read the “Used Book Sales” article yourself.
Now, I have no idea if Ninc has any lobbying power or if the article is simply wishful thinking on their part. It doesn’t really matter, because the idea is poorly considered and ultimately harmful to the book industry, publishing, authors and readers. I’m strongly against this proposal. If you’re an author, I hope you’ll have the foresight to recognize you should be against it, too.
What Ninc Wants
Ninc sites the United States Constitution’s Article I, Section 8, Clause 8 as the focus of their position. Here’s the clause in its entirety:
To promote the Progress of Science and useful Arts, by securing for limited Times to Authors and Inventors the exclusive Right to their respective Writings and Discoveries
The key phrase here is “exclusive Right to their respective Writings.” It’s my understanding that this allows an author to control how their works are used through agreements and licenses. For example, when an author signs a book contract, they’re permitting the publisher to use their work in a limited fashion for a limited time and in return, the author is compensated.
It’s a stretch to assume Article 1, Section 8, Clause 8 should also give the author the right to control what happens to their licensed work after it’s been lawfully sold — in other words, to control what you do with a book after you’ve purchased it — but that’s exactly the leap Ninc wants to take.
Title 17, Chapter One, Section 109 of the U.S. Code specifically limits copyright so that the copyright owner has no rights with regard to what the owner of, in this case, a book does once it’s purchased. This is called the First Sale Doctrine: “I bought it, I have the right to dispose of it, give it away, or re-sell it.” The Supreme Court recognized First Sale Doctrine in 1908. It was codified into copyright law in 1976, and it’s in part what allows used book stores, flea markets, swap meets, thrift stores and yard sales to exist.
Ninc wants to add this language to Title 17:
…neither the owner of a particular printed book nor any person in possession of a particular copy of that book, may, for the purposes of direct or indirect commercial advantage, dispose of, or authorize the disposal of, the possession of that printed book by rental, lease, or lending, or by any other act or practice in the nature of rental, lease, or lending, within two years of initial publication of that printed book, unless that owner or person pays to the publisher some fair percentage of the cover price of the printed book.
In other words, for the first two years after the book is published, Ninc wants to make it illegal for your to sell your tangible property to someone else unless you also give the publisher “some fair percentage” of the original price of the book. Ninc wants to overturn a century of legal precedence. Generously, they exclude libraries:
Nothing in the preceding sentence shall apply to the rental, lease, or lending for nonprofit purposes by a nonprofit library or nonprofit educational institution. The transfer of possession of a lawfully made copy of a printed book by a nonprofit educational institution to another nonprofit educational institution or to faculty, staff, and students does not constitute rental, lease, or lending for direct or indirect commercial purposes under this subsection.
Ninc Wants To Control What You Do With Books You Own
From Ninc’s position paper:
Today, the largest sellers of used books have a strong Internet presence, allow Internet-based sales transactions, and maintain records of their sales and inventories, at least in part, by using ISBN numbers, as do other booksellers. The use of ISBN numbers to track sales is the same process whether it is being used by a used-book seller or a seller of new releases, and makes the payment of a fee a simple matter when calculated and transacted electronically.
The above really spells out who Ninc has a problem with. Ninc doesn’t like the fact that the Internet has made it possible for used book dealers to extend their reach and quickly and easily sell their wares to anyone in the world. Ninc doesn’t like that you can look up a book on Amazon.com and be instantly presented, in many cases, with the option to purchase that book from a used book dealer.
When you buy a book from a used bookseller, whether it’s your local mom-and-pop used book store or an online retailer like Abebooks or Alibris, the author doesn’t make any money from that sale. There’s no denying a used book sale has no direct positive financial benefit to an author. We’ll get to the indirect positive financial benefits in a bit.
Ninc’s Position On The Burden To Booksellers Is Disingenuous
Ninc claims that their proposed “secondary sale” fee will not “unduly burden used-book sellers by increasing administrative tasks.” Their argument is it’s easy to track inventory with software systems and as you read above, “the largest sellers of used books have a strong Internet presence,” which requires inventory tracking.
Ninc also claims:
…Ninc does not support a ban, taxation, or any other restrictive measure applied generally to the sale of used books.
This is plainly disingenuous. Has anyone responsible for Ninc’s position paper on used books ever been in a used bookstore? I’ve been in dozens. From what I’ve seen, there is very little tracking of individual pieces — no scanning of barcodes, no recording of ISBNs. Those that do are the exception.
You cannot impose a fee that requires an imposition on the used bookseller (purchasing and installing an inventory tracking system, payroll hours spent training employees and maintaining the system, accounting hours, labor and other expenses necessary to pay potentially hundreds of publishers) and claim you don’t support “restrictive measures.” Ignoring the actual fee on each used book that isn’t older than two years, the investment in time, resources and capital required would cripple most small businesses.
The Ninc Used Book Proposal Is Misdirected And Bad For Authors
Ninc cites a 2005 study from the Book Industry Study Group, Inc. to support their argument that used book sales are cutting into authors’ income. You can read the BISG Used-Book Sales study if you’re a member of BISG and have a hundred bucks; if you’re not a member it will cost you almost seven hundred dollars.
Another study released in 2005, from the Social Science Research Network and conducted by New York University and Carnegie-Mellon, presents good evidence to ease Ninc’s concerns, but Novelists Inc. appears to have ignored it. The abstract for “Internet Exchanges for Used Books: An Empirical Analysis of Product Cannibalization and Welfare Impact” is here, and there’s also a New York Times article that covers it.
The study focused on Amazon.com’s practice of providing a used book option for customers on most books. Recall that the Internet-driven used book market is one of Ninc’s main villains.
The bottom line? From the abstract:
Our analysis suggests that used books are poor substitutes for new books for most of Amazon’s customers. The cross-price elasticity of new book demand with respect to used book prices is only 0.088. As a result only 16% of used book sales at Amazon cannibalize new book purchases. The remaining 84% of used book sales apparently would not have occurred at Amazon’s new book prices. Further, our estimates suggest that this increase in book readership from Amazon’s used book marketplace increases consumer surplus by approximately $67.21 million annually. This increase in consumer surplus, together with an estimated $45.05 million loss in publisher welfare and a $65.76 million increase in Amazon’s profits, leads to an increase in total welfare to society of approximately $87.92 million annually from the introduction of used book markets at Amazon.com.
In other words: Used book sales on Amazon lead to more new books being sold, which leads to more money for publishers and authors. Also, most people who purchase used books don’t buy new books in the first place — these people would not purchase a new book even if there was no used alternative.
Ninc’s proposal is poorly considered and, according to research, misdirected.
Ninc’s position on used books would be highly detrimental to a growing segment of small business owners in the United States. As I write this, unemployment in the United States is pushing 7% — that’s up 2% from this time last year. Ninc’s proposal could push many small businesses to close, which means more employees out of work.
The end result for the very authors Ninc wants to protect? Fewer sales of used books, which means no net gain from the proposed secondary sale fee. More people out of work, which means less disposable income to purchase new books. When authors don’t sell books, publishers drop them. Ultimately, Ninc’s proposal could result in less money for authors, not more.
After a year that saw huge cuts and layoffs in the publishing industry, why would Ninc want to support anything that could make things worse?
Ninc’s proposal is bad for the economy, bad for the United States and especially bad for the economic welfare of authors.
Authors Should Love Used Book Sales
Of course I appreciate it when readers purchase a new copy of “Brave Men Run — A Novel of the Sovereign Era” — that means I get a dollar and some change, and I need that money, to be sure.
I also have no problem with the reader purchasing a less-expensive used copy. If you click that link and buy a book, I’ll get a tiny (a few cents) affiliate bonus from Amazon.com, but I won’t earn anything in royalties.
Here’s the thing: if buying a used copy is the only way you’re gonna buy my book, read it and recommend it to your friends, I want you to go for it. To paraphrase Tim O’Reilly for the nine millionth time, an author’s biggest fear isn’t lost revenue, it’s obscurity.
All authors should embrace this point of view.
Yes, authors deserve to be compensated and should be able to support themselves through their work. I want everyone who reads my books to compensate me, ideally with money, so I can have the financial security and peace of mind to make more stuff.
The Social Science Research Network study spells it out: Used book sales drive new book sales.
If, as an author, you’re still squeamish about not earning anything off of used book sales, think of it as a marketing expense. With no out-of-pocket expense, you’ve reached a new reader — a new consumer.
As authors, we should do everything we can to embrace our readers. This means reaching out and connecting with them in real and virtual spaces. It means making our content available to them in whatever form is most convenient for them to consume. It means building an audience for the long term.
Certainly it does not mean forcing one of our marketing and distribution channels out of business through short-sighted, selfish and misplaced legislation.
Who Is Responsible For Ninc’s Ill-Advised Position On Used Books?
Here is Ninc’s board of directors. In the interest of introducing them to new readers, their names are linked to where you can buy used copies of their latest books:
- President: Laura Resnick
- President-Elect: Kasey Michaels
- Treasurer: Ruth Glick (a.k.a. Rebecca York)
- Secretary: Charlotte Hubbard
(aka Melissa MacNeal
)
- Nink Editor: Cindi Myers
- Advisory Council Representative: Patricia Rice






Scribtotum
So there are a couple of complexities to the whole used book issue which I think are worth consideration.
First there are some kinds of books, where used book sales might impinge upon new book sales. “Media Tie Ins” and Harlequin-class romance novels (as well as other serialized tomes) would seem to depend upon selling large (or semi-large) numbers of new books pretty regularly. If the number of readers for these kinds of books can be assumed to be more or less constant +/- a percentage point or two, I could imagine how–particularly in a slumping economy–used books could eat into the sales of new books. Particularly if *this weeks* “How I Met your Mother” novelization wasn’t likely to be that different from the one from last year that you didn’t read either.
Actually, I’d totally buy a HIMYM book, but you get the idea. Some of these books are themselves marketing/licensing tools, and as such their publishers are less likely to think of them as literary works, and thus less likely to be subject to all of the very real factors that you describe above.
That’s part one. Part two is the fact that the publishing business always seems to teeter on the edge of collapse. Industry groups are more prone to act out these fears (as they’re looking to shore up existing business models), than are individual publishers and editors, who might act out these fears by making conservative editorial decisions, but are more likely to be responsive to the arguments you make. Publishers, despite the problems of their industry in its current form, provide a useful service to writers and readers, and I think will continue to exist long into the future. I don’t know if the same can be said about film studios and record companies, but we’ll see.
You make an interesting point about the Harlequin / Movie Tie-In market… and perhaps it’s worth noting that most of the authors who operate Ninc are in the romance genres, some with Harlequin books on their resumes. Despite the fact that Ninc claims to represent all genres and styles, it may be that they make their own genre a little “equal-er” when it comes to their interests.
As for the publishing business teetering on the edge of collapse… it’s to their advantage to always claim that is the case. That way they can push things like contracts that are less favorable to authors, copyright changes, and so on. Advocacy groups like Ninc also behave this way, because if there’s all good news, there’s no reason to have an advocate.
Thanks for the comment!
[...] Novelists Inc, or Ninc, Proposes Fee On Used Book Sales; Bad For Authors, Bad For U.S. Economy | Mat… – Even as a writer I have to oppose this one! (December 30th) [...]
See what @mwsmedia has to say about a group that wants to charge you a fee for used books. http://tinyurl.com/7bxeq6 Sound like the RIAA?
Good blog post by @mwsmedia about a Movement to Charge Used Booksellers & Change Copyright Law by Novelists, Inc. http://tinyurl.com/7bxeq6
Brilliantly crafted, Matt. The existence of online retailers has been extremely disruptive to the brick-and-mortar world — and I can absolutely see where brick-and-mortar used booksellers have been impacted by this, as well.
I love used bookstores, and the experience of walking the aisles, seeing what tickles my fancy. But if I’m questing for a specific used book, I hit the ‘net. I know a copy will be available at a reasonable price. That’s why far more used bookstore owners must turn their eyes to online opportunities.
Fortunately for these proprietors, creating online stores (via Amazon and other sites) has become easier than ever. Even eBay’s “Buy It Now” service creates a haggle-free retailing experience. Using these online opportunities to enhance — not fully replace — revenue sources is wise indeed.
As far as Novelists Inc’s position: It’s a preposterous, impossible-to-enforce pipe dream. The organization’s time and effort would be better spent educating used booksellers on online retail opportunities (which would likely help a great many of them improve their earning potential) than shaking its fist at the new paradigm. Evolution is a good thing.
Agreed, of course. I’m sure Ninc thinks it’s acting in its members (or at least its Board of Directors’) best interests, like any good advocacy group should… when in fact the Secondary Sale Fee proposal is poison to authors, publishers, readers, and the economy as a whole.
If I was a multi-published novelist in a market that Ninc considers valid, I would join them, and work my gadfly ways from within to create that evolution you speak of.
Time to write an erotic-historical-urban-fantasy-romance, I guess. A whole mess of ‘em.
Great article, Matt. As someone who doesn’t have a lot of money, I buy a lot of my books second-hand and I feel better knowing that authors I read and like, such as yourself, aren’t against this practice (though I’ll mention that my brand-new copy of BMR is currently winging it’s way across the Pacific to me).
As for Ninc… even a punter like me could take a look at their idea and say that it’s ridiculous and that it hurts the industry. Like I said, I buy a lot of my books second-hand ’cause I’m strapped for cash, and if I didn’t have that option then there’s a metric buttload of books that I’d never had read.
So… yeah. Ninc = kinda stupid. Your article = great.
Glad you liked the post! Also glad you’ve chosen to buy a new copy of “Brave Men Run — A Novel of the Sovereign Era.” I know these choices are not lightly made — books are a luxury item and luxuries get pushed down the priority list in times like these.
Thank you!
Following your links from the Ninc directors’ names, and checking them independently in Amazon’s new-books section, reveals an important factor in this discussion: that *all six of them are romance-novel writers.* To be sure, Laura Resnick also writes straight fantasy (and I wonder what her father, author Mike Resnick, makes of the Ninc proposal), but much of her output is in the romance category. Kasey Michaels, meanwhile, releases virtually *all* her books in that category. And so on down the line.
Now, I have no doubt that the romance genre and sub-genres contain works that would be considered good writing and would deserve to last, from authors who are not only skilled but smart. At the same time, the genre is famous for the number of publishers who insist on writing to a strict format (in some cases it’s even a “by page __ the hero and heroine must have had their first kiss” kind of formula), and for extremely high volume and short shelf-life expectancies. One can easily imagine the fear of those operating in this arena that a substantive used-books market might cripple the flow of new product to readers and fans–and thus put a crimp in romance authors’ revenue streams.
I say all this not to belittle practitioners in this genre–far from it–but rather to point out that we seem to have representatives of a single segment of the industry trying to dictate terms to the industry as a whole. I would be much more agreeable if I could hear voices from other categories of book author-/editorship, whether they be “genre” or “mainstream.”
Michael, you and others in this comment thread and on other sites discussing this issue have hit upon it — the driving forces behind Ninc are in the romance genre. The romance genre includes a great many books that are almost like paperback one-story magazines: a new one comes out every month, and bookstores are required to take ‘em off the shelves and return them when a new one is released. Harlequin is just one of the publishers that does this.
A typical book has a lifespan in a brick-and-mortar store of about six to eight weeks (from release date to when it shows up on a returns pull list) unless it’s a big seller. Authors who pump out these “periodical”-style romance books have a window of four to five weeks, and they probably(?) get paid less than most. Of course, a career writer in this sub-genre has twelve shots to make sales in a year… so I reckon it balances out.
As others have said, there is very little chance of Ninc’s wishes becoming reality… but it’s still important to speak up when short-sighted, self-serving and ultiimately destructive ideas surface. It’s equally important to reveal the motivations behind such ideas, and you and the other folks in this thread have done an excellent job of that!
Thanks for the comment!
Have to disagree here, people. Though I feel Ninc’s efforts will be unsuccessful, they are entirely justified in trying to slow the trend toward compensating writers nothing at all for their years of work. (I refer here to literary novelists, of which I am one.) The loaning of e-books, through friends and libraries, and the resales of hardcovers for mere pennies, through Amazon and countless other online vendors, decimates the structures providing reasonable compensation for the literary arts. The most talented will leave the profession — as they can earn their bread much more abundantly through other pursuits. The culture will be impoverished. This evolution is not illegal, but it is tragic — and I hope you don’t resent a few of us mourning the loss.
Thanks for commenting, Lv — it’s fun to see a new comment pop up on a post that’s almost a year old!
I understand your fear that authors might make less and less from book sales, but as the studies cited in the original post make clear, used book sales do not create a net loss of revenue for authors.
As far as lending libraries and friends loaning books to one another… look at the practice of loaning music, be it through making a cassette or burning a CD for a friend or file-sharing MP3s… it’s been shown again and again that people who share music buy more music than people who do not. It’s likely that the same trend will be seen with books, because it comes down to this: people who are passionate about an art form are inspired to evangelize it, and that leads to bigger awareness of an author and their work… and that leads to more sales for that author.
If you really want to see authors make more money for their work, I urge you to vocally and actively support the restructuring of the book industry. Work toward an elimination of the returns system that sucks so much money out of the industry. Refuse an advance in favor of larger royalties, and encourage other authors to do the same. Hang on to your electronic rights and produce, sell and distribute your own e-books of your work.
Thanks again for commenting!