dixonge said:
So, as much as I love your story, I am very inclined to do one of two things: 1) Buy the book, *OR* 2) donate for the podcast. Not both.
P.S. I certainly understand what you said about showing the publishers the power of inependent authors but haven't Sigler and Hutchins already paved the way there? Haven't you already been published? Besides, like I said, if I wanted to send a message to the publishing industry it would be to make more books available via audio and at lower price points. I don't think that is exactly what most authors are looking for though (yet)
Hi Dixonge,
I really appreciate your writing in the forums, and elaborating in greater detail what can be hard to communicate in a chat room.
I appreciate that cost can be a factor in the consumption of any content — books, music, film. I also appreciate that you see it as a choice between donating to podiobooks.com on my behalf, or buying a book, but find it hard to justify doing both.
Frankly, I want you to enjoy my work in the format that best suits you. That's why “Brave Men Run” has been available in print, e-book, and free podcast editions since November of 2005, and why I'll likely always release content in multiple formats. So if books aren't for you… no problem!
Speaking from the mercenary side of things, if you enjoy audio and you want to give the author (this author, anyway) the best possible return, you should purchase the MP3 Audio CD version of the podcast from Lulu.com. I get about $6.79 from every sale. Or you could donate about $12.00 to Podiobooks.com — after their well-deservered cut and PayPal takes a bit, it works out to about the same.
The reason I asked people to buy the book on July 13 from Amazon was to help make an impact. Yes, Scott Sigler and Seth Harwood have had successful Amazon campaigns in the past, but that doesn't mean traditional media distribution companies have entirely received the message. Any author who uses new media (not just podcasting) needs to do something like this every time a book is published to continue to hammer the message home: the audience is the primary arbitrator of quality, not the publisher.
That was job one for me on Sunday. Job two was to draw attention to Swarm Press, so that they can thrive as a small independent publisher. Job three was to attract attention to “Brave Men Run” and myself — not for a publishing deal, but for the many other licensing possibilities out there: film, television, comics, games, etc.
I completely understand your desire to do what best advocates your own needs — lower priced audio books. Imagine a day when traditional publishers offer their books as free podcasts because they're shown — again and again — that free podcasts sell print books. You'd get what you want, and they'd get what they want! :-) That is a reason to buy print books from podcast authors.