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Sonitotum with Matthew Wayne Selznick Episode 010: Emma Wallace

In this episode, I have an in-depth conversation with the songwriter, composer, and independent music entrepreneur Emma Wallace.

Emma Wallace has a dozen albums, EPs, and singles to her credit, including her latest, Immortal (available August 31, 2018).

With over a decade of hard-fought experience building a career that supports a family of four through her music, Emma’s got a lot to share about how to be a committed, steadfast, positivity-focused independent creator in the face of professional, personal, and financial challenges.

No matter your creative endeavor, you’ll find a lot of inspiration in her story.

Links and Topics Mentioned In This Episode

Here are some of the things I talk about with Emma Wallace in this episode, including a few links to sites with which I have an affiliate relationship. I’ll earn a small commission at no extra cost to you if you purchase products through those links. It’s a lovely way to show your support for Sonitotum!

What Did You Think About This Episode?

What are your thoughts?  Let’s hear from you in the comments!

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Subscribe to Sonitotum

The best way to listen to Sonitotum With Matthew Wayne Selznick is to subscribe in a podcast app so you receive new episodes automatically. You’ll find Sonitotum at Apple Podcasts, Google Play Podcasts, Spotify, Stitcher, TuneIn, iHeartRadio, or anywhere you get your podcasts. To subscribe manually in any podcast provider, simply copy / paste the RSS feed:
https://www.mattselznick.com/feed/podcast/sonitotum

The Music!

The opening theme song of Sonitotum is “Anastasia” written, performed, and recorded by yours truly, Matthew Wayne Selznick. You can hear or buy the full song on YouTube, Spotify, Amazon.com, iTunes, or just about anywhere you can buy or stream music online.

The closing and interstitial music is a little ditty I call “Gwinton,” also by yours truly, Matthew Wayne Selznick. It’s super-short and really just a looping thing, so it’s not available outside of the show.

On both songs, I play a 1972 Gibson Ripper bass guitar and a Fender “Bullet” Squire electric guitar. On “Anastasia,” the drums are performed on an Akai Professional MPD218 MIDI drum pad controller. For “Gwinton,” the drums are royalty-free loops found in the excellent Mixcraft Pro Studio software, which was also used to record, mix, and master both “Anastasia” and “Gwinton.”

Podcast Production and Hosting

Sonitotum is usually recorded using an Aurycle a460 large diaphragm studio condenser microphone through a Behringer U-Phoria UMC202HD (audio interface for directly connecting microphones and musical instruments to a computer). Outdoor / remote episodes are often recorded using my Audio-Technica ATR-3350IS omnidirectional condenser lavalier mic. The show is edited and mixed in Adobe Audition. The episode files are hosted and delivered by Zencast.fm; the website is hosted by Dreamhost.

Interested in starting your own podcast? Need help managing your existing show? I can help you like I help The What Matters Most Podcast and The Possibility Podcast with Mel Schwartz, among others. Reach out!

Affiliate Declaration

Many of the links in these show notes are to products and services with which I have an affiliate relationship. This means that when you purchase that product or engage in that service, or, in some cases, related products or services, I may receive a modest commission at no extra expense to you. This is a great way to help support Sonitotum and my related creative endeavors, so thanks for doing business with these companies!

Licensing

Sonitotum, including the Sonitotum podcast media, is released under the terms of the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International (CC BY-NC-ND 4.0) License. You are free to copy and redistribute the material in any medium or format under the following terms:

  • Attribution — You must give appropriate credit, provide a link to the license, and indicate if changes were made. You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use.
  • NonCommercial — You may not use the material for commercial purposes.
  • NoDerivatives — If you remix, transform, or build upon the material, you may not distribute the modified material.
  • No additional restrictions — You may not apply legal terms or technological measures that legally restrict others from doing anything the license permits.

The full license can be found here.

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