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Sonitotum with Matthew Wayne Selznick

103: In Conversation with Horror Author Thom Carnell

Episode 103 of Sonitotum with Matthew Wayne Selznick, the podcast about making stuff (mostly writing), finding success as we each define it for ourselves, and staying healthy and sane in the process… features a conversation with the horror and horrific fantasy author Thom Carnell.

“Thom Carnell is a writer whose fiction has been featured in Swank magazine (adult content), Carpe Noctem magazine, and in the horror anthology Bloody Carnival from Pill Hill Press. He is best known for his insightful interviews and profiles in Carpe Noctem, Fangoria magazine, and on Dread Central & Twitchfilm.com. His novels (No Flesh Shall Be Spared, No Flesh Shall Be Spared: Don’t Look Back, and the upcoming Monolith Records) and short story collections (Moonlight Serenades, A String of Pearls, Tuxedo Junction, Horror Book, Tales from the Lazaretto, and the upcoming Open Late) are available through Amazon.com and Crossroad Press. Carnell is a graduate of the San Francisco College of Mortuary Science and worked as a certified eye enucleist and a Registered Polysomnographic Technologist. He lives in Bellingham, WA.” — adapted from Thom’s website at https://www.thomcarnell.com.

Our extensive talk explores the connection between horror and humor, the lingering creative influence of early trauma and exposure to mortality, marketing cross-genre work, building a community of readers, the perspective and experience that comes with age, and lots, lots more.

Also, your host tries to run a giveaway, and makes an offer.

This episode was recorded on June 24, 2024. The interview portion was recorded on January 24, 2024.

Links and Topics Mentioned in This Episode

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The Music!

The opening theme song of Sonitotum is “Anastasia” written, performed, and recorded by yours truly, Matthew Wayne Selznick.

The closing and interstitial music is a little ditty I call “Gwinton,” also by yours truly, Matthew Wayne Selznick. It’s super-short and really just a looping thing.

On both songs, I play a 1972 Gibson Ripper bass guitar and a Fender “Bullet” Squire electric guitar. On “Anastasia,” the drums are performed on an Akai Professional MPD218 MIDI drum pad controller. For “Gwinton,” the drums are royalty-free loops found in the excellent Mixcraft Pro Studio software, which was also used to record, mix, and master both “Anastasia” and “Gwinton.”

Podcast Production and Hosting

Sonitotum is usually recorded using an Aurycle a460 large diaphragm studio condenser microphone through a Behringer U-Phoria UMC202HD (audio interface for directly connecting microphones and musical instruments to a computer). Outdoor / remote episodes are often recorded using my Audio-Technica ATR-3350IS omnidirectional condenser lavalier mic. The show is edited and produced in Cakewalk by Bandlab. The episode files are hosted and delivered by Amazon Lightsail; the website is hosted by Dreamhost.

Interested in starting your own podcast? Need help managing your existing show? I can help you like I’ve helped The What Matters Most Podcast, The Possibility Podcast with Mel Schwartz, and Writing with Coach McCoach, among others. Reach out!

Affiliate Declaration

Many of the links in these show notes are to products and services with which I have an affiliate relationship. This means that when you purchase that product or engage in that service, or, in some cases, related products or services, I may receive a modest commission at no extra expense to you. This is a great way to help support Sonitotum and my related creative endeavors, so thanks for doing business with these companies!

Licensing

Sonitotum, including the Sonitotum podcast media, is released under the terms of the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International (CC BY-NC-ND 4.0) License. You are free to copy and redistribute the material in any medium or format under the following terms:

  • Attribution — You must give appropriate credit, provide a link to the license, and indicate if changes were made. You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use.
  • NonCommercial — You may not use the material for commercial purposes.
  • NoDerivatives — If you remix, transform, or build upon the material, you may not distribute the modified material.
  • No additional restrictions — You may not apply legal terms or technological measures that legally restrict others from doing anything the license permits.

The full license can be found here.

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